Anna Niedźwiedź voice
proMODERN:
Łucja Szablewska-Borzykowska soprano 
Martyna Jankowska mezzo-soprano
Anna Krawczuk mezzo-soprano
Aleksander Rewiński tenor
Krzysztof Chalimoniuk baritone
Piotr Pieron bass, artistic director
Daniel Kamiński percussion
Janusz Długokęcki, Karol Kowal, Jakub Langiewicz, Maciej Dobrzański double basses
WARSAW PHILHARMONIC ORCHESTRA
Oscar Jockel conductor
Sara Glojnarić electronics
Ewa Trębacz electronic media
Idin Samimi Mofakham electronics
Michał Bereza, Szymon Nalepa, Barbara Okoń-Makowska sound projection 
Students of the High School no. 50 of the Culture and Education Association

Sara Glojnarić DING, DONG, DARLING! (2024)* for orchestra and electronics
Ewa Trębacz Lament for Ur. Assemblages from the city that is no more (2025)** for improvising female voice, vocal ensemble, orchestra and multimedia (Warsaw Autumn commission)
Zosha Di Castri Hunger (2018)* for orchestra, improvised drums and silent film
intermission                Kuba Krzewiński Intervention #5 (2025)** perf. Anna Kwiatkowska violin, Nina Sakowska costume
Idin Samimi Mofakham Nafir (2024)* for double bass quartet, orchestra and electronics
Wojtek Blecharz Field 9. Evanescence (2025)** for orchestra (Warsaw Autumn and Warsaw Philharmonic commission)

Orchestra, soloists, electronics, film and various aspects of spatiality. In Ewa Trębacz’s piece, space is expanded thanks to the oldest texts created by man, and the dimensions of music in ambisonic sound projection. From queer joy (Sara Glojnarić) to music for a silent film exploring the grotesque dimension of excess, social inequality and the objectification of women (Zosha di Castri). From lament and protest against the systemic injustice spreading throughout the world (Idin Samimi Mofakham) to another musical reference to “transparency”—the slow seeping of light from somewhere outside us (Wojtek Blecharz). There is a finale, and in it there is hope.
 
 
 
Coorganiser of the concert: Warsaw Philharmonic
The work Lament for Ur. Assemblages from the city that is no more by Ewa Trębacz has been cofinanced by the Ministry of Culture and National Heritage’s Culture Promotion Fund, within the Composing Commissions programme, implemented by the National Institute of Music and Dance.

** first performance / premiere
* first Polish performance