is a composer, performer, and media artist. Her recent work  focuses on sound, light and fibre. She has recently been commissioned new works by the Rümlingen Festival, BBC Radio 3,  Ensemble Musikfabrik, Ensemble Proton Bern, and Lucerne Festival. In 2023/24 she was Artist-in-Residence at The Experimental Media and Performing Arts Center (EMPAC) in New York,  in 2020 she received a Fromm Composition Commission from  Harvard University, and in 2018–19 she was a Music Composition Fellow at the American Academy of Rome. Marino also  performs an idiosyncratic bevy of stringed instruments and  electronics in cooperations with her bands Wrong Norma and  CAOUTCHOUC, as well as in her solo performances with stings  and electronics. 

Selected works: Heartful Bird, Vivid and Great in Style for two  performers, percussion and video (2014), The Whale is a Capital  Fish for violin, clarinet, keyboard, guitar, video and electronics (2016), Throw Me to You and Back Again for two performers, four  microphones and clapping chorus (2017), Nice Guys Win Twice  for ten performers, video and electronics (2018), re-mappings I for  five performers (2019), re-mappings II for two performers (2019),  re-mappings III for two performers (2019), YjQzljv1uFQ for three  performers (2020), The Bottle Episode, collaborative performance  (2021), Murder Ballads Volume 1: Sister Sister for violin, viola,  electronics and voices (2023), Murder Ballads Volume 2: The Positive Reinforcement Campaign for three percussion instruments,  cello, double bass, electronics and voices (2023), Odd Sparrow  for saxophone quartet and electronics (2025), NO SALT for two  violins, cello, double bass, flute, clarinet, trumpet, trombone, tuba  and distortion (2025).