A sound artist from Italy based in Vienna, she holds a degree in communication sciences with an emphasis on sociology and multimedia and graduated from the Computer Music and Electronic Media programme (ELAK) at the University of Music and Performing Arts in Vienna(2019). She then obtained a master’s degree in computer music and composition from the Anton Bruckner Private University. Currently, she is laying the groundwork for a PhD in tangible interaction design and industrial sound design. She is deeply entrenched in a diverse range of artistic pursuits, embracing performance, composition, research, and innovation. Her music and live performances traverse the spectrum that stretches from meticulously crafted arrangements to impromptu improvisation. Throughout this artistic journey, she adroitly wields a toolkit of fragmented yet rhythmically captivating beats, intricate manipulations of spatial perceptions, and intriguing psychoacoustic phenomena.

She has been engaged in research projects that intersect the artistic potentials of digital networking (such as The Choir and The Sound System) with the advancement of digital instruments influenced by environmental data (as exemplified by A Sound That Never Was).

Forciniti has showcased at prominent music festivals, including Wien Modern, Skaņu Mežs, Ars Electronica, Unsound Festival, Dark Mofo in Hobart, and CTM Festival in Berlin. In 2022 she was selected for the SHAPE+ platform, a showcase for pioneering music and audiovisual art.

Selected works: Export, Rabelaisian Irony, Music for Churches and Bicycles.