Composer of instrumental and electronic music, improviser  and lecturer. He graduated from the State University of Music  and Performing Arts in Stuttgart (composition class of Marco  Stroppa, music theory and new media with Mathias Hermann).  In his artistic work he primarily focuses on the social and cultural contexts of composing, exploring the categories of quality  and identity of sounds taken from various sources: instruments,  samples, electronic transformations, objects, videos, and so forth.  His works have represented Poland at the International Rostrum  of Composers (a matter of choice, 2016; Magenta, 2021). In 2016  he was composer-in-residence at Wrocław’s Musica Polonica  Nova festival. His compositions have been performed by OMN  New Music Orchestra, Polish Radio Orchestra under Szymon  Bywalec, JungeMusik Berlin, Kwartludium, Kwadrofonik, Cellonet, Smash Ensemble, Robin Rimbaud Scanner, Lux:NM, KammarensembleN Stockholm, Silesian String Quartet, NeoQuartet,  Sepia Ensemble, and others. He is the cofounder of the Cybulski  / Pałosz / Wojciechowski trio performing improvised instrumental-electronic music. Articles about his music have been  printed in Didascalia, Glissando, and Ruch Muzyczny magazines,  the nationwide dailies Gazeta Wyborcza and Rzecz pos polita,  and on websites such as dwutygodnik.com, meakultura.pl, polskamuza.eu, rezonans.art.pl, and ninateka.pl. He has received  numerous scholarships from the Donaueschinger Musiktage, Polish Minister of Culture and National Heritage, Society of Authors  ZAiKS, Mayor of the Capital City of Warsaw, and National Institute of Music and Dance. In 2009 his Ge-sheng was nominated for  the Opus Public Media Award.  

In 2015 Wojciechowski was the curator (with Monika Pasiecznik)  of the Digital Revolution of Music festival organised by the Bęc  Zmiana Foundation at the National Audiovisual Institute in Warsaw. The event was devoted to the latest trends in European music  and the ideas of German music philosopher Harry Lehmann. In  2007 he was the director of the Musica Electronica Nova festival  in Wroclaw. He is a frequent guest on Polish Radio Channel 2,  RDC, TVP Kultura, Deutschlandfunk, and SWR. 

Selected works: Quintet for clarinet, violin, cello and piano  (1998), Prime Blue for violin and electronics (1999), Ekle for  clarinet, trombone, cello and piano (1999), Miniaturen for clarinet, cello and piano (2000), Trio basso for viola, cello and double  bass (2000), Hoquetus for 4-channel tape (2002), Bläserquintett  for wind quintet (2004), Duktus for ensemble (2005), …durch  den Flor… for orchestra (2006), Flora for chamber ensemble (2007), Ge-sheng for flute, accordion, clarinet, violin, viola  and cello (2008), Riesenfalter for flute, clarinet, violin and cello  (2008), sight/light for clarinet, trumpet, percussion, piano, violin and cello (2008–9), Rope of Sands for clarinet, percussion,  piano and violin (2009), Blind Spot for prepared string quartet (2010–12), Acoustic Signs, cycle of multichannel electronic works  (2011–12), Double Pendulum for prepared violin and computer  (2012), Rapid Repeats, graphic score for Kwartludium (2012),  Fingertrips for eight prepared cellos (2012), Blind Spot for string  quartet (2010, rev. 2013), rizoom for flute, saxophone, objects  and electronics (2013), Victory over the Sun, chamber opera  (2013–14), Room 404 for clarinet, violin, percussion, sampler,  electronics and video (2014), a matter of choice for ensemble and  electronics (2014), Complicated Machine for soprano, piano, sampler, objects and two percussionists (2014), …play them back…  for ensemble and electronics (2015), Speedcore for percussion  and electronics (2015–16), Aaron S. for ensemble, electronics  and video (2015–16), Triple Pendulum for cello, electronics and  video (2017), Claude for ensemble (2018), uno on off for double  bass, electronics and ensemble (2018), Handmade for ensemble  (2018–19), Woyfer/Zajwert for electronics, analogue synthesizers  and video (2019), Sci-Fi Retro: Hommage à Georges Méliès for violin, cello, piano, electric guitar, electronics and video (2020), Rituals for prepared piano, electronics and video (2020), ITAKA, multimedia work for ensemble, voices and video (2021), Magenta for  string quartet and electronics (2021), The Paradox of the Hidden  Cicada, monodrama for Ewa Bukała (2023), Plexus for two flutes  and soundtrack (2024), Equally Real for choir, chamber orchestra  and electronics (2024–25), BSCH for symphony orchestra (2026).