Music composer born in 1994. In his work, he seeks fragile sounds, often referring to the musical past. He is a graduate of the Royal Academy of Music in Aarhus (class of classical composition of Simon Steen-Andersen, Niels Rønsholdt and Juliana Hodkinson) and the Karol Penderecki Academy of Music in Cracow, where he obtained a master’s degree in composition with Wojciech Widłak and a bachelor’s degree in music theory with Agnieszka Draus.

He currently works at the Department of Composition at the Academy of Music in Cracow, where he obtained a PhD with honours in 2024.

He has cooperated with musicians from the London Philharmonic Orchestra (as part of the LPO Young Composer programme in collaboration with the Adam Mickiewicz Institute), the New Music Orchestra, Ensemble Modern, Ensemble Linea, United Instruments of Lucilin, and Spółdzielnia Muzyczna. His compositions have been presented at festivals such as MaerzMusik, Gaudeamus, Warsaw Autumn, Sacrum Profanum, and the Festival of Premieres, as well as broadcast by radio stations including BBC Programme 3 and Polish Radio Channel 2.

He won the 1st Prize at the 58th T. Baird Competition for Young Composers, a scholarship from the City of Cracow and the Polish Minister of Culture and National Heritage. His works are published by PWM Edition.

Selected works: …still untitled:( [love songs] for ensemble and electronics (2015), I <3 Franz for string quartet (2016), Viens! Maman va teprendre en photo for seven performers, electronics and video (2016), …über BWV 971 for flute and string trio (2016), It seems better todayfor 11 performers, electronics and video (2017), Faites vos jeux for piano trio, electronics and video (2018), Robotron for ensemble and sampler (2018), Nachtwanderung for orchestra (2018), untitled for amplified recorder and harpsichord (2019), ZMRÓŹ for orchestra and analog tape (2019), And it rose and it fell and pulsed like a wave for viola, accordion, electronics and video (2019–20), It is way too serious to be in panic (ouverture) for analog tape (2020), …still in the middle of happening for ensemble and analog tape (2020), Imaginarium Polkolor for three performers, electronics and live video (2020), declined/restored\elapsed for orchestra (2020–21), Paradise Blue [we’d never be apart] for bass clarinet, accordion and electronic sounds (2021), w o l n o for two marimbas and electronic sounds (2022), through the youth of these things for ensemble, electronics and objects (2021–22), adagio sostenuto for six instruments (2022), [unknown title] for six instruments and electronic sounds (2022), untitled [largo] for guitar (2022), ice to weep for voice, instruments and electronic sounds (2023), mauve [ô nuitd’amour] for two amplified flutes and electronics (2023), in dreams begin melodies for ensemble (2023), untitled [chorale] for harp (2024), untitled [folía] for accordion and wind quintet (2024), a cheerful plaint [chant] for voice, piano and synthesizer (2024), floating:disappearance for chamber orchestra (2025).