Born in Pabianice in 1986, she currently lives in Wrocław. She graduated with honours from the composition class of Bronisław Kazimierz Przybylski at the Bacewicz University of Music in Łódź (2010). For two years, she pursued postgraduate studies in film, computer and audiovisual music in Łódź, before obtaining a postgraduate degree in composition from Simon Steen-Andersen and Niels Rønsholdt at the Royal Academy of Music in Aarhus (2019). Her music has been presented at Polish and international contemporary music festivals such as Warsaw Autumn, Sacrum Profanum, Musica Electronica Nova, Frau Musica (Nova), Pulsar, Klang, Heroines of Sound, Musica Estranha, and Percussion Plus. As a composer she has cooperated with groups and performers such as Kwartludium, ElettroVoce, Spółdzielnia Muzyczna, OMN New Music Orchestra, Ensemble Garage, Njyd, Hashtag Ensemble, and Duo van Vliet.
She is a composer of instrumental, stage and electroacoustic music; currently, she focuses primarily on audiovisual works. In 2013, she won the 1stPrize at the 11th T. Ochlewski National Composers’ Competition in Cracow. In 2016, Polish Radio submitted her composition aer for clarinet/bass clarinet and orchestra to the 63rd International Rostrum for Composers. In 2017, she received a scholarship from the Ministry of Culture and National Heritage. She works as an assistant professor at the Academy of Music in Łódź.
Selected works: utter silence for amplified flute (2013), s!c2 for soprano and audio playback (2013), aer for clarinet / bass clarinet and chamber ensemble (2014), <<<st)i(ll<<< for amplified viola and accordion (2016), Memoopera for soprano, electric guitar, accordion, cello, percussion, and audio playback (2016), (lm) for chamber ensemble (2016), (lx) for string quartet (2016), in the pink for two marimbas, video and audio playback (2017), admix+ for chamber ensemble (2017), c_ut|e_#1 for chamber ensemble, video and audio playback (2017),c_ut|e_#2 for flute, accordion, percussion, video and audio playback (2017), Probably the most beautiful music in the world for chamber ensemble, video and audio playback (2018), “I will always be there for you” – Sorry – Believe for flute, video and audio playback (2018), good things come to those who sweat for accordion, video and audio playback (2019), you make me feel so brand new for voice, sampler, video and audio playback(2019), YOUR ONLY LIMIT IS YOU for two performance artists, video and audio playback (2019), Your ultimate guide on how to live a healthy lifestyle for chamber ensemble, video and audio playback (2019), Speak boldly for video and audio playback (2019), 4 rituals of women’s happiness for chamber ensemble, video and audio playback (2019), 4 rituals of women’s happiness #2 for flute, video and audio playback (2020), About Time for chamber ensemble, video and audio playback (2020), soft music for sensitive gals for orchestra, video and audio playback (2021), New Forms for chamber ensemble, video and audio playback (2021), In broad, broad daylight for video and 12-channel speaker system (2023), Body X Ultra for chamber ensemble, objects andaudio playback (2023). Body X Ultra – Limited Edition for chamber ensemble, objects and audio playback (2023), Body X Ultra – Glass Editionfor chamber ensemble, unique glass objects and audio playback (2024), Body X Ultra – Artificial Nature for viola, accordion, unique glass objects and audio playback (2024), Body X Ultra – VR Edition, VR installation (2024), Body X Ultra – Under the skin for flute, baritone saxophone, electric guitar, MIDI keyboard, percussion, objects, video and 4-channel electronics (2025), Body X Ultra – FLOW for Moog, two samplers, audio playback and video (2025), CRUMBS, video installation (with Karina Marusińska and Jacek Chamot, 2025), How Can I Help You? for chamber ensemble, video and audio playback (2025).