Born in 1986, Ukrainian composer, sound artist, and performer, residing in Germany. She studied composition in Kyiv and Munich with Moritz Eggert. In her works, she uses acoustic instruments, voice, electronics, sound objects, and dance. She collaborates with both professional and amateur musicians, as well as non-musicians. She performs contemporary music herself as a singer and on keyboard instruments, as well as directing musical projects. 

Korsun teaches composition at the Conservatoire of Amsterdam, as well as at international courses. She has participated in international new music festivals such as Éclat, ISCM World New Music Days, Warsaw Autumn, Musica Strasbourg, and Darmstadt International Summer Courses for New Music. She has cooperated with new music ensembles such as Neue Vocalsolisten Stuttgart, Mosaik, Ascolta, Ensemble Modern, Asko|Schönberg, Camerata Silesia, Silbersee, as well as Munich’s Theaterakademie August Everding and Cracow’s AST National Academy of Theatre Arts. She was an artist-in-residence at Villa Massimo in Rome, the New Music Goethe-Institut in Canada, Academy Schloss Solitude in Stuttgart, and the Cité Internationale des Arts in Paris. She has received a number of accolades. 

Selected works: Rarefaction of Water for piano and orchestra (2010), Rock, Scissors, Paper for sound objects and five performers (with Sergey Khismatov, 2010), Nisus for orchestra (2011), 3 in 1 for tuba, cello and organ (2011), Visitation, music for singing dancers (2012), Tohuwabohu, chamber opera for three voices, trombone, double bass, sound objects and sampler (2012), Tales of a Brain for horn, percussion, soprano, organ, violin, double bass and tape (2012), Nighttime Tales for tenor and ensemble (2013), Plexus for ensemble (2014), Pulsar for organ and voice (2014), The Time of the Owl’s Flight, electronic music for octophonic sound system (2015), In einem anderen Raum for orchestra with smartphones (2016), Zwielicht, a performance for two speakers, piano and six performers (2017), Audioguide for singing orchestra (2018), Geheime Sehnsucht der Zeilen for amplied ensemble, tape and quadrophonic sound system (2018), sottilissime for string trio (2019), Signals, vocal piece for 14 mobile performers with loudhailers (2019), Lei for singing cello (2020), tamerai for ensemble (2021), In The Cage for string quartet, harpsichord and fence (2022), MARA for violin and electronics (2021), eigengrau for accordion (2022).