the sounds of keyboards from the 1970s and a robotic voice. In this piece of sonic reconciliation, a post-apocalyptic atmosphere hovers, with a text that analyses the place of men and women in society as seen through the eyes of an artificial intelligence. 

Acoustic and electronic sounds merge in a perspective of colour and timbre counterpoints, with movement flows that either interpenetrate or violently repel each other.

The piece is dedicated to Tomek Szczepaniak. 

Raphaël Cendo