The main compositional aspect of this work for piccolo and tape  was on one hand the examination of the instrument and electronics and on the other side on the combination of graphics  and sound/timbre. The aim was to set graphical constructions  and sound in relationship. Besides this the graphics should have  an aesthetical substance.

The focus on the examination with graphical structures was  the idea to transform architectural static structures in changing  musical processes.

Gerald Eckert