For the first time in history, the Warsaw Autumn inauguration takes the form of a cycle of miniconcerts and installations, held in the various nooks and crannies of Warsaw Philharmonic as a complement to the performance presented in the main Concert Hall. Sounds of music will thus fill atypical spaces within the building, which normally serve some technical functions and are not always accessible to the public. Such an event formula makes it possible for all members of the audience to create their own programmes for this festival evening, to decide which places they wish to visit, in what sequence, and how much time to spend in each place. Wandering around the building, visitors will be able to listen to compositions varying in length and character, performed by soloists as well as various orchestral line-ups, and experience contact with art at their own individual pace.
Paweł Hendrich, curator

/ 18:00, 18:30, 19:00, 19:30, 20:00, 21:30 
Sky Macklay Harmonitrees (2020)* sonic and kinetic harmonica-playing sculpture with space for improvisation

/ 18:00-20:30
Marcin Rupociński Focus Tracking (2023) installation

/ 18:15 
Soloists of THE SILESIAN PHILHARMONIC SYMPHONY ORCHESTRA:
Anna Podulka violin
Rafał Woźniak viola
Konrad Bargieł cello

Henryk Mikołaj Górecki Genesis I: Elementi per tre archi op. 19 no. 1 (1962)
for violin, viola and cello

Partner of the event: The Silesian Philharmonic

/ 18:30, 20:00, 21:30
Klara Skorupowska, Marcin Przestrzelski Easy Robots programmers
Aleksandra Koniuch sound projection
Michał Górczyński bass clarinet

Robotic Tales (2023)** installation
1. Preparation
2. Chains
3. Foils
4. Small guitars
5. Tea
6. Three robots
7. Hymn
8. One line
9. Conducting
10. Small Robot

The installation Robotic Tales has been executed thanks to a City of Warsaw bursary, in cooperation with the Faculty of Mechatronics at the Warsaw University of Technology and the Easyrobots.pl company. The authors extend their thanks to the Dean Prof. Gerard Cybulski and Prof. Barbara Siemiątkowska.

/ 18:30, 19:30, 21:30 
HASHTAG ENSEMBLE:
Ania Karpowicz flute
Dominik Płociński cello
Paweł Janas accordion

Toshio Hosokawa
Sen I (1984, rev. 1986) for flute
Sen II (1986, rev. 2002) for cello
Sen V (1991–1992) for accordion

/ 19:00, 20:00, 21:30 
HASHTAG ENSEMBLE:
Marta Piórkowska violin
Adam Eljasiński bass clarinet

Rebecca Saunders
Caerulean (2010–11) for bass clarinet
Hauch (2018) for violin

/ 19:00, 20:00, 21:30 
Aleksandra Ołdak video layer in the work of Martyna Kosecka
NEOQUARTET:
Karolina Piątkowska–Nowicka 1st violin
Paweł Kapica 2nd violin
Michał Markiewicz viola
Krzysztof Pawłowski cello
Przemysław Kunda sound projection

Idin Samimi Mofakham Crystallum (2021) for string quartet and electronics
Martyna Kosecka Arkhḗ: Noise Maps (2021) for amplified string quartet, electronics and 3D mapping

/ 18:30, 19:30, 21:30 
Krzysztof Cybulski Post-Digital Sax
Piotr Zalewski autoviola
Hubert Zemler aeromembranophone
Remigiusz Czechowicz sound projection

Krzysztof Cybulski AAAA (augmented acoustic actuated autonomous) (2023)**

/ 19:00, 19:30, 20:00, 21:30 
Marko Ciciliani Why Frets? - Tombstone (2022)* installation

/ 18:30, 19:00, 19:30 
Kuba Krzewiński Touch Me (2023)** installation

/ 20:30 / Concert Hall 
SINFONIA VARSOVIA
Yalda Zamani conductor
Michał Bereza, Kamil Kęska, Barbara Okoń-Makowska sound projection

Sławomir Wojciechowski Digging for Gold (2023)** for symphony orchestra and electronics (Warsaw Autumn commission)

The work Digging for Gold by Sławomir Wojciechowski has been cofinanced by the Ministry of Culture and National Heritage’s Culture Promotion Fund, within the Composing Commissions programme, implemented by the National Institute of Music and Dance.

21:00 / Concert Hall 
SINFONIA VARSOVIA
Yalda Zamani conductor
Michał Bereza, Kamil Kęska, Barbara Okoń-Makowska sound projection

Malin Bång splinters of ebullient rebellion (2017/18) for orchestra

** first performance
* first Polish performance